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San Diego (border report) – Randy Dibble says he spends most mornings on the beach drinking coffee and reading the newspaper while observing the surf and surfers.

He says he loves the ocean and surfing so much, he has made it his life’s work over the past 40 years to photograph and write about the sport and those riding the waves on both sides of the border.

“I used to surf professionally in the 80s. Then I started taking pictures of my friends over the summer and then I started traveling to Mexico,” said Dibble, whose accent sounds like a Bible.

He said one of his favorite spots is the Santo Tomas Valley and La Bocana surf area, about 110 miles south of the border.

“This is sacred to my family. I have brought my family there, my mother, my father, grandfather, all my relatives have gone to that holy place and it has always been safe, a great place.”

That’s where he suggested Callum Robinson come after meeting him at his store in Ocean Beach, California, last month.

“He wanted to buy a photo and we talked, and I found out he was a lacrosse player, a professional Australian player, big guy, 6-4, all muscle, he had a kung-fu-grip handshake “Really friendly guy,” Dibble said. “He said his brother was coming to visit in a couple of weeks and he wanted to take him surfing in Mexico.”

Dibble immediately recommended Santo Tomas and La Bocana.

“I made him a map and told him where to go,” he said. “It was a few days ago when I read the news about some surfers missing in Baja and I read the name Callum Robinson, and I felt like I knew that name… and said, ‘Oh my God, that’s it. He’s the guy who ‘bought the photo from me.’ I was stunned.”

Originally, after purchasing the print, Dibble took a photograph of Robinson, a photo he shared with Border Report.

“Whoever comes to my booth, I take their picture for the record, and I always take their picture holding my picture. They become my friends.”

Dibble is still trying to figure out what happened to Robinson, his brother Jake and Jack Rode of San Diego.

All three men were shot during an attempted robbery at the same campsite Dibble had suggested they go to.

The Baja California Attorney General says that after being killed, the people were thrown into a 50-foot deep well. These bodies were recovered last Friday.

“I knew Jack too. He used to come to my shop in the morning to see my prints. It’s terrible, it’s terrible for their parents, terrible for Mexico.”

Dibble says he hopes it doesn’t hurt Mexico or deter other surfers from coming.

“It is a safe place. I was at a camp there last May, and I was alone.

we love david bergman and Adorama TV Awesome video, and this recent video is amazing – especially because it answers one of those big photography questions in a clear and informative way.

So, the question arises: how many megapixels is enough? Well, this will of course depend on what you’re shooting, but more megapixels usually translates to more image detail.

One key consideration is that most photos these days are viewed on screens with far fewer megapixels than your camera – and yes, that includes your smartphone.

For example, Bergman says Instagram uses about 1920 pixels at the longest part. So, even a basic 2 MP camera (about 1600×1200 pixels/1080p) will comfortably meet this minimum requirement. The cover of AP Mag, for example, is about 3000px on the long side, which can be accomplished with a 3-4 MP camera.

When it comes to printing, a 4×6 print only requires 2 MP, and a larger 11×14 print will require about 13.8 megapixels at 300 ppi (pixels per inch).

So why do we need cameras with 40, 50 or even more megapixels? Well, the advantage comes from cropping, because every time you crop your image you lose valuable pixels. But for most photographers shooting ‘everyday’ subjects, a camera in the 20 to 24-megapixel range provides more than enough pixels for most purposes.

You can check out more great videos from AdoramaTV YouTube.

Cover Image: Getty

There is a somewhat contradictory relationship between surfers and surf photographers. Professional surfers need photos and footage to earn a living. Hobbyists look to them to give us a glimpse of far-off breaks that we may never actually see in our lifetime, or to help us experience the signs of stoke when we are out on the water. Are. On the other hand, surf photography draws attention to previously unknown breaks, which can attract unwanted intruders, crowds, and the anger of locals.

Perhaps the greatest example of that contradiction is Logan Murray, the first new zealand Surf photographer making his way into American surf magazines. At once revered and reviled, Murray has been integral to New Zealand’s development as an international surf destination. His delightful photographs of the waves at “Puni’s Farm” on Matakana Island put Aotearoa on the map for the surfing community. However, when the stunning photos graced the walls of New Zealand’s young surfers, they eventually forced Murray to hide his identity to avoid vindictive locals, prompting death threats from surf mags across the southern hemisphere.

Recently in New Zealand 1 news filmed a profile On Murray, his controversial influence on NZ surf culture was detailed. it’s worth seeing.

North Platte, Neb. (KNOP) – The Town Hall Lecture Series concluded its final speaker for the season on Monday at the North Platte Playhouse.

The series featured speakers from around the world. North Platte residents filled the theater to hear the Open Roads Open Minds speech by National Geographic Magazine photographer and storyteller Steve Uzzell.

“First Open is an adjective. Second open is a verb. An open road will open your mind,” Uzel said. “Nobody knows why it is, but as with anyone driving on the open road, your mind can’t avoid wondering, and as it wanders, you’ll find solutions to things you’ve wondered about. Never thought.”

Uzel’s speech details the creative problem-solving process. He believes that this is what connects us all. As a society, we all spend our day somewhere in the creative problem-solving process. Uzzell depicts that process through photographs taken from his photo assignments.

As of Tuesday, Uzzell has spoken 647 times in all 50 states. He has also performed once in Alaska, three Canadian provinces, and five other countries, including China and India, to a mixed audience of approximately 650,000 people.

Uzzell shares why he picks up his camera and keeps opening the lens.

“I absolutely love this process. Something incredible and hard to define in words,” Uzel said. “Apart from saying that it is a discovery every day. Whether it’s a new place or a new culture or a new person or a new event or the connections that we all have as humans, how they all connect, that’s what I’ve been called to explore and document, and that’s Things are for you, that’s why I keep doing this.”

Uzel’s influence extends far beyond his photography. He is one of four photographers who were instrumental in getting the Copyright Act passed in the late 70s while working on Capitol Hill. This law, which allows creators to protect their original work, has hugely impacted the photography industry.

“Otherwise, you won’t be able to copyright what you write or photograph; You won’t be able to copyright what you shoot and edit,” Uzzell said. No one who is an original creator will be able to own their work, and we have worked very hard to do that.”

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Rashi Rice An investigation is underway into the alleged beating of a photographer at a Dallas club early Monday morning. According to WFAA, According to the report, officials have started the process of questioning witnesses about the incident.

kansas city chiefs the receiver is already May face multi-game suspension From nfl Rice, who turned himself in to police last month before being released on bond for his involvement in a multi-car crash, faces eight charges in the case: six counts of collision involving bodily injury, serious One count of collision involving bodily injury and one count of aggravated assault.

Rice was driving the vehicle that ultimately caused a six-car accident. Its top speed, 119 mph, occurred just before the accident, According to the arrest warrant affidavit Acquired by The Dallas Morning News.

Obviously, the news of his alleged attack on a photographer does not bode well for Rice, who played a key role in the Chiefs’ successful title defense as a rookie last year. But off-the-field issues could derail Rice’s promising career.

Rice and SMU cornerback Theodore Knox are both being sued for $1 million by two victims of the March 30 crash. Plaintiffs Irina Gromova and Edward Petrovsky are suing for $1 million over their serious injuries, including “concussion, concussion of the brain.” A facial requiring stitches, multiple injuries to the body, disfigurement, internal bleeding and other internal and external injuries that can only be fully revealed during medical treatment,” according to the court document.

The Chiefs, possibly expecting that Rice would not be available to start the season, selected former Texas wideout xavier worth With the 28th overall pick in 2024 nfl draft, worthy, the one who ran away nfl The combined record of 4.21-second 40-yard-dash gained attention during his initial practice with Kansas City.

“It’s going to be fun to play in this aggressive game,” Worthy said recently. via the athletic, “I’ve played every (receiver) position at Texas. I think just having that versatility and being able to play everything, doesn’t limit me to any position.”

On-set photographer Kyle Bono Kaplan and art photographer Brian Schutmaat to showcase their work taken while shooting Jeff Nichols’ film “The Bikeriders” in a new coffee table book titled “Vandals: The Photography of the Bikeriders” Have cooperated.

,bike riderNichols and the Stars is a play directed by Austin Butler, Jodie Comer and Tom Hardy. It is adapted from the book by Danny Lyon, and follows the rise and fall of a fictional motorcycle club in the 1960s Midwest. Michael Shannon, Mike Feist and Norman Reedus participated in the group.

The book will be released on May 8, published by Inside Edition, and the film will be released on June 21. Here Kaplan and Schutmaat share the stories behind rare moments on set.

Kaplan caught Hardy, who played Johnny, in the middle of a take as the actor was walking back to the set. Kaplan observed natural light and was amazed by the illumination of trees. As he waited for Hardy to complete the take, he waited and captured the actor using a “long lens with a slow shutter speed”. “I really wanted that shot,” says Kaplan.

Similarly, Schutmaat was looking at Lyon’s work and found himself inspired to take photographs of the cast and extras from behind. “I liked what the costume department did with the text, I found it attractive, and we used the logo elsewhere inside the book because we really liked it.”

Schutmaat was further inspired by Lyon’s work, this time he shot actor Michael Shannon through a window. “Danny would often take photographs from windows, windshields, and car windows, so I had that in mind,” explains Schutmaat.

At this moment, Shannon was in the middle of a take and waiting to go back to the set. Schutmaat says he had to bend down to get the camera level with the car window to capture it at that angle. “He wasn’t acting there. He’s just relaxing, and I love a sense of authenticity in photographs, and I think this moment demonstrates that.

Kaplan wanted a photo of Butler on his bike. It was to be shot as a hero for the promotion of the book and the film. So, Kaplan needed to fix it.

The crew had access to the bridge for a few hours and so they mounted a camera crane on a car to capture the scene. Kaplan also had his monochrome camera attached to the crane. “It was a shot of shots, a hero shot, and I wanted to pay tribute to the past and pay homage to Danny.” “Austin did that sequence in two takes, and I had my camera set up,” says Kaplan. It was at hyperfocal distance. I taped the lens shut, and sent the camera out with a two-second interval timer.

Kaplan says, “That was the only frame where Austin is looking back, and it’s the only frame we used.”

Paying homage, this photo is a mirror-image of Lyon’s shot. “It’s nice to showcase it like this because it shows that we’re looking at cinema and Austin. It is a merging of the cinematic world and the photographic world in one frame, simply by turning it into an actor and displaying the face.

“Vandals: The Photography of the Bikeriders” is available to purchase Amazon,

Alabama moms Sophie Clarke and Nicole Davis reunite after welcoming their April babies – June Carter Clark and Johnny Cash DavisThis time for a fun photoshoot with her little kids.

According to photographer Chantel Miller, the moms even took time to take a road trip from Alabama to Tennessee over the weekend for a photoshoot at Miller’s Knoxville studio.

miller told “good Morning America” They all connected after a self-described “huge Johnny Cash and June Carter Cash fan” saw a news story about the two families and left a comment on a social media post about it.

“I was completely charmed by the idea of ​​photographing these two babies together. I commented on the story about how as a newborn photographer photographing these babies would be the opportunity of a lifetime; and out of the thousands of comments Read mine, this is what happened to Sophie,” Miller said via email.

Clark, Davis, and Miller met for the photoshoot on May 4, and the resulting photos of baby Johnny and baby June amid a music-themed backdrop and props were, as Davis said, “epic!”

Miller said she specifically used two photos of the late married country music superstar as inspiration for the newborn photos.

“Little June was very alert and initially resisted sleep but became very calm and expressive; she is a sweet little girl!” Miller recalled that “Johnny was cool as a cucumber,” and slept through the entire photoshoot and “was a wonderful kid to work with.”

Clark previously told “GMA” that she liked the name June for her daughter and wanted to incorporate her husband’s name, Carter, into her baby’s name. Meanwhile, Davis said she and her husband, Johnny Lee Davis Jr., went back and forth until they decided on Johnny Cash Davis for their child, whom they planned to call Cash. .

“My heart is definitely full that I not only had the opportunity to meet these amazing babies and their families; but that I am now a part of this amazing story!” Miller said.

In the complex process of running a photography business, it is important to find the right balance between creativity and efficient management. when i found out 17 hats, it was like adding a skilled partner to my solo performance. Let’s explore the top five ways the 17 Hats revolutionized my business, making the complex waltz of entrepreneurship smoother and more synchronized.

1. Simplicity in Complexity: The Ease of Use Factor

Remember the days when software like QuickBooks made you feel like you needed an accounting degree? 17 Hats Changed the Game. Its user-friendly interface simplified my complex business requirements. Suddenly, managing finances became no longer a scary task but an integral, manageable part of my daily workflow.

2. Project Management: Keeping Focus Sharp

As a photographer it’s easy to lose focus when juggling multiple projects. 17 Hats introduced a project management system that was a game-changer. This allowed me to keep track of the progress of each project, ensuring no deadlines were missed. This feature was like a assistant that reminded me what needed attention and kept my business fast and accurate.

3. Customizable Workflow: Every Photographer’s Dream

The beauty of photography lies in its diversity, and the beauty of 17 Hats also lies in its diversity. Whether you’re a wedding photographer, portrait artist, or landscape lover, 17 Hats has customizable workflows to suit your unique business style. It’s like a suit made by a tailor; It fits perfectly.

4. Streamline with Automation: Silent Assistant

Imagine you have a silent assistant that takes care of emails, invoices and contracts without the need for constant supervision. This is what the automation feature in 17 Hats did for me. This efficiency not only saved time but also reduced human error, ensuring a smoother, more professional customer interaction.

5. Financial liquidity: Easing the movement of money

Finally, the ease of handling payments with 17 Hats felt like a breath of fresh air. It streamlined the process of collecting payments and transferring them to my account. This feature not only made my financial transactions seamless but also added a layer of professionalism to my trading dealings.

To summarize, 17 Hats is not just a tool; This is the perfect business partner for photographers who wish to combine their creative passion with smart business acumen. It’s about working smarter instead of harder and focusing on what we love most – capturing moments through our lens. So, whether you’re a seasoned professional or just starting out, I highly encourage you to consider how a tool like 17 Hats can elevate your photography business to the next level.

This is a guest article by Chicago-based photographer Charlene Sligting. Charlene is a visual storyteller who captures life’s moments in unforgettable, stunning ways. He specializes in product, event and real estate photography.